This Library Looks Like A Giant Game Of Scrabble
Posted: September 18 2020 @ 6:00 AM | From: www.fastcompany.com | Author: Lilly Smith
It’s easy to think of a library as a dusty repository of the past. But new signage at the National Library of Luxembourg (BnL) is a beautiful reminder that libraries—from the books in the stacks to the events they have on site—are always changing.
Pentagram partner Sascha Lobe and his team designed a wayfinding system for the library with a custom typeface called Bibliothèque that has sharp, angled serifs that nod to the library’s strong architectural angles. (The building was designed by Bolles+Wilson.) The Pentagram team then applied those custom letters to 25,000 interchangeable resin cubes. Individual letters or parts of letters are printed on each face of a cube, so cubes can be placed in rows to form words; or cubes with letter fragments can be stacked to create letters at a large scale. They’re then placed on blank wayfinding infrastructure that has a small lip to hold the them up. The resulting system is similar to a beautifully considered mega Scrabble, and can be easily adapted to meet the needs of the community it serves.
This is a clever way to accommodate the changing role of libraries in communities. With the help of major architectural firms like Snohetta, RDHA, MSR Design and more, the design of libraries has started to shift in response to their multi-purpose use as community centers. Pentagram’s graphic system is in service to that. “There are so many activities that can run in parallel at any given point in time,” says Lobe. “We see the architectural branding as a glue that holds up the BnL as a meeting point for different communities, lending it a poignant identity and gravitas.” And a clever solution for a practical problem: signage that’s always in flux.
While all the cubes are the same size, the black letters printed on them come in four weights and three sizes: letters set to the size of the cube itself for close to mid-range distances; large characters the size of a few cubes for reading at a distance; and an even smaller font size for shelving systems. There are red and black blocks occasionally used to give a sense of visual hierarchy, too, by emphasizing a header like the floor you’re on with a contrasting color.
Of course, designing a custom typeface in 2D is challenging in and of itself, and its 3D end application introduced new problems. “The challenge was to develop modules [units] that could be added to larger sizes, yet still look crisp no matter the size,” says Lobe. “That, of course, is a much more complex design process because a lot of testing is necessary. It’s a back and forth process until all the right parts finally fit into place.”
So if an adaptable signage system is so important, why not install screens that can be updated with a click of a mouse rather than produce tens of thousands of interchangeable resin blocks? The library needed a concept that would work on a big scale for signage, and a teeny one, within its shelving systems. Installing that many screens could be more hassle than it’s worth. Explains Lobe: “Devising a smart solution that would lend a unique identity to the space was also essential, as was designing a playful piece of art.”
Today Posted: October 23 2020 @ 7:15 | From: www.fastcompany.com
I have spent a lot of time in libraries in my day. But not one like this. That’s because New York City’s newest library, in the Greenpoint neighborhood of Brooklyn, doubles as an environmental education center. The building, designed by architecture firm Marble Fairbanks and landscape architecture f... Read more
Today Posted: October 23 2020 @ 4:05 | From: www.creativereview.co.uk
A new display at the Design Museum is looking back at some of Margaret Calvert’s most enduring designs. Here, we speak to frequent collaborator Henrik Kubel and curator Rachel Hajek about how the designer’s work has become synonymous with British identity The post The life and work of Margaret Calve... Read more
Today Posted: October 23 2020 @ 4:00 | From: www.fastcompany.com
It should come as no surprise that a president who cut his teeth on reality TV would use visual props to make a point. But when Lesley Stahl of CBS’s 60 Minutes sat down for an interview with President Trump on Tuesday, she likely didn’t expect that the Trump team saw her as a guest on a show of its... Read more
Today Posted: October 23 2020 @ 3:36 | From: www.creativereview.co.uk
For her latest Exposure column, art director Gem Fletcher profiles the work of Naomi Wood, who examines the complexities of motherhood in her series I Wake To Listen The post Exposure: Naomi Wood appeared first on Creative Review. Read more
Today Posted: October 23 2020 @ 3:04 | From: www.creativereview.co.uk
Pace Gallery is hosting an exhibition both online and in its New York space showcasing 50 hand-drawn 'dingbats' created by musician and artist David Byrne The post David Byrne’s irreverent illustrations muse on life during Covid appeared first on Creative Review. Read more